The Future Sounds of Yesterday: A Sequence of Synthesizers in Science Fiction
Music and technology have always gone hand in handand the explosive flowering of music as an art form in the last century is also the story of the explosive growth of technology. Indeed, people have recognized the potential of computers to revolutionize music since before there even were computers. In 1842, writing about the theoretical uses of Charles Babbage’s Difference Engine, computer-science progenitor Ada Lovelace enthused that once the fundamentals of harmony and musical composition were properly understood, “the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.” (And there’s something wondrous about a woman at the dawn of the Victorian Age dreaming of something now commonplace with electronic groups such as Daft Punk.) Like computing itself, electronic music began as the arcane province of technology specialists and slowly became a truly democratic force that put the power to change the worldor at least soundtrack itin the hands of everyone. And because cutting-edge technology is particularly good at sounding alien and futuristic, it’s meshed perfectly with science fiction as a subject matter. Below is a brief history of the ways those three elementsthe music, the tech, and the SF themeshave intersected and influenced each other, in various media, over time.
Originally published Jan. 3 in Clarkesworld Magazine. Read the complete article.