Can young ‘Potter’ stars maintain career magic?

Wizard franchise made them famous, but breaking free of these roles could be tough

The magic is ending soon for the long-running Harry Potter series, which will close out with “Harry Potter and the Deathly Hallows,” being released in two parts Nov. 19 and July 2011. But filming is already over for its three stars — Daniel Radcliffe, who plays the boy wizard, and Emma Watson and Rupert Grint, who play his best friends Hermione Granger and Ron Weasley.

Now it’s time for them to look ahead to their future, and answer a question even a Hogwarts professor might have trouble seeing in a crystal ball: Can they make the transition from child actors to successful grown-ups?

It’s not an easy one for any young celebrity, says Stephanie Zacharek, chief film critic for Movieline. “Because they’re working in this very weird world, a lot of things can go wrong for them. It isn’t what we would call a normal way to grow up. Different child actors handle it with varying degrees of success.”

Originally published on msnbc.com Nov. 15, 2010. Read the complete article.

Comets and cannibals: Best disaster movies

‘Unstoppable’ and its runaway train are latest in a proud, terrifying tradition

It’s a disaster in the making: A runaway freight train carrying tons of hazardous chemicals is rocketing towards a populated town, threatening thousands of lives.

In “Unstoppable,” based on a true Ohio incident, Denzel Washington plays a veteran train engineer who joins conductor Chris Pine (“Star Trek”) in a daring plan to prevent the disaster. The duo’s efforts are complicated by their own bosses, who are more concerned with their corporate image than saving lives.

Reteaming Washington for the fifth time with director Tony Scott, “Unstoppable” harkens back to the heyday of the disaster-film genre, in which the danger comes not from criminals or other human antagonists, but a large-scale catastrophe. Here’s a look back at the genre’s greatest hits — and crashes, booms, and bangs.

Originally published on msnbc.com Nov. 3, 2010. Read the complete article.

‘Takers’ fits right into heist-movie tradition

Film features a star-studded crew, big-money prize and plenty of twists.

This summer’s biggest hit, “Inception,” put a novel twist on the caper film by setting its action in the world of dreams. But you don’t need to go quite so high-concept to get some juice out of the heist movie, one of the most reliably entertaining variations on the cops-and-robbers story for as long as there have been movies about crime. The latest straight-up heist film to hit the big screen is “Takers,” out Aug. 27 and starring Idris Elba (“The Wire”), Hayden Christensen, Paul Walker (“The Fast and the Furious”), and rappers T.I. and Chris Brown.

Heist films are one of the most formula-bound of genres, but that can be a big part of the fun of watching them. The basic drill is always the same — a group of thieves work together to pull off some seemingly impossible job — but the best heist movies stay fresh while letting viewers indulge in the vicarious thrill of getting away with the perfect crime. Here’s how “Takers” fits in with its shadowy brethren.

Originally published on msnbc.com August 23, 2010. Read the complete article.

Michael Cera’s ‘Scott Pilgrim’ is a proud nerd hero

Suddenly, the unlikely loser has moved from the sidelines to the center of the story.

Scott Pilgrim, the slacker hero of the new action-comedy “Scott Pilgrim vs. the World,” has just discovered that in order to win the love of the beautiful Ramona Flowers, he must defeat her seven evil exes in single combat. Clearly, it’s time for him to step up and be a man.

But what does that mean, exactly? Scott’s no macho, martini-swilling muscleman in the mode of James Bond. He’s a lazy, unemployed and charmingly naive video-gamer and incompetent bass player in a semi-competent rock trio, whose ability to charm women is equalled by his ability to screw up his relationships with them. Before he meets Ramona, the 23-year-old Scott is dating a high-school student while nursing the wounds of a previous breakup. In short, Scott’s kind of a loser, and definitely a geek.

Luckily, in the world of Scott Pilgrim, having great video-game combat skills also means you’ve got Bruce Lee-level skill at kung fu, all the better to defend yourself when Ramona’s exes start throwing kicks and punches. But still, Pilgrim’s path toward victory is made more difficult by his own naivete; he’s got to find out for himself what it means for a guy like him to grow up.

Originally published on msnbc.com August 4, 2010. Read the complete article.

Can Nicolas Cage control his craziness in ‘Apprentice’?

Nicolas Cage loves nothing better than to attack a role like he’s wrestling a rabid polar bear. It’s both his greatest asset and his worst liability. And with Cage returning to movie screens July 14 as heroic wizard Balthazar Blake in Disney’s “The Sorcerer’s Apprentice,” the same question that’s dogged his career for years pops up again: Just how far over the top will he go this time? Will Cage’s brand of crazy raise the whole movie up to a new level, or crash and burn?

Originally published on msnbc.com July 11, 2010. Read the complete article.

Thumbs-up: The A.V. Club’s Minneapolis-St. Paul International Film Festival picks

I contributed four capsule reviews for this story on the Minneapolis-St. Paul International Film Festival. Here’s a sample; read the whole thing at the link:

Reykjavik-Rotterdam
Iceland’s foreign-film Oscar submission rises above its potentially cliched noir setup—the reformed ex-thief pulled back for one last job—with twisty plotting, kinetic violence, and a rock-solid performance by Baltasar Kormár. Reminiscent of David Cronenberg’s recent crime thrillers, not least because of Kormár’s resemblance to Viggo Mortensen, Reykjavik interweaves dual plotlines as his crooked sailor plays a battle of wits against a stuffy captain to smuggle a load of bootleg liquor, while on land his boss plans to steal his wife. The movie’s commercial success in Europe has already spawned a forthcoming American remake with Mark Wahlberg.

Night Catches Us
The rise and fall of the militant Black Panther Party has no shortage of tragedy or far-reaching political themes, but Tanya Hamilton’s Night Catches Us works its magic on a smaller, human-sized scale. In 1976 Philadelphia, years after the revolutionary movement’s implosion, two former Panthers (Anthony Mackie and Kerry Washington) rekindle a simmering romance when Mackie returns after a long exile. But his reappearance also brings back old ghosts and old grievances, and inadvertently inspires a new generation to repeat the mistakes of the past. The universally strong cast includes The Wire veterans Wendell Pierce and Jamie Hector.

The Miscreants Of Taliwood
Australian documentarian George Gittoes is either impressively brave or foolishly reckless, but you have to admire the chutzpah of any Western filmmaker who walks right into the heart of Pakistan’s Taliban-controlled Peshawar region. And Gittoes indeed risks the ire of the Muslim fundamentalists more than once as he explores the cultural conflict between the Taliban and Peshawar’s surprisingly vibrant, earthy low-budget film industry—the “miscreants” of the title. As the religious extremists begin firebombing video stores, Gittoes dives into the local movie scene, working his role in a campy Pashto-language action movie into his own documentary. The result is often outlandishly surreal, insightful, and never less than compelling.

Originally published on avclub.com April 15, 2010 as part of a group-written roundup; I wrote the reviews of Night Catches Us, The Miscreants Of Taliwood, Will Not Stop There, and Reykjavik-Rotterdam. Read the complete article.

And the Oscar for best movie quiz goes to…

How well do you know the 10 best picture nominees? What does “Hurt Locker” really mean, and what about Michael Oher’s life was fictionalized in “The Blind Side”? Test yourself.

Originally published on msnbc.com Feb. 18, 2010. Read the complete article.

Oscar moments we’d like to forget

The Academy Awards are all about glitz and glamour, but that doesn’t mean there haven’t been a few hiccups. In 1959, host Jerry Lewis was caught flat-footed when the awards ended 20 minutes early, forcing him to wing his way through the end of the broadcast. In the 1970s, the show was interrupted by a streaker, and Marlon Brando famously sent an American Indian activist to accept his award for him. Here’s a look back at eight of the most infamous moments from Oscar’s last 30 years.

Originally published on msnbc.com Feb. 11, 2010. Read the complete article.

A guide to the 2010 Oscar nominees

A quick look at the nominees in the major categories for this year’s Academy Awards. (I still think Sam Rockwell got robbed for his performance in Moon.)

Originally published on msnbc.com Feb. 2, 2010. Read the complete article.

Quiz: Test your knowledge of “Avatar”

20th Century Fox

Bluer than blue: Test your knowledge of the planet Pandora, the Na’vi people, and their human friends—and enemies.

Originally published on msnbc.com Jan. 28, 2010. Read the complete article.