TV Club, Doctor Who: Mawdryn Undead

“Mawdryn Undead” (season 20, episodes 9-12. Originally aired Feb. 1-9, 1983)

“Mawdryn Undead” tries to do a lot. Too much, really. It’s ambitiously overstuffed with plot ideas: The nostalgic return of an old co-star, a retelling of the Flying Dutchman myth with a Doctor Who twist, a nonchronological story structure split between two timelines, the return of a well-known old villain, and most importantly the introduction of a new companion, Turlough, who joins the Doctor with orders to kill him. But while there’s a lot of moments to enjoy here, that’s too much to work into a single story. And to be fair, “Mawdryn” is not meant to be a single story, but the first part of a larger arc, with a fairly self-contained story intertwined with material that spins into the subsequent episodes. The problem is that the parts meant to be self-contained to this story wind up feeling thinly resolved and rushed, while the part that’s by far the most compelling—Turlough’s dilemma—isn’t actually resolved at all, by design.

And that’s only a problem if you’re not planning to watch the rest of Season 20 of Doctor Who the way you would probably watch, say, 2011′s Series Seven—in broadcast order from start to finish. It’s commonplace now to give audiences a season-long arc that draws you back for every episode. In 1983, though, it was a fairly big change for Doctor Who, which is a big reason that all three of the Fifth Doctor stories I’ve covered so far for TV Club were from Peter Davison’s first season in the role: They’re much easier to look at as individual stories.

Of course, in some ways Doctor Who was far more invested in the idea of ongoing storylines than was typical for its time—other than soap operas and one-off miniseries like V or Shogun, it’s hard to think of another show so insistent on its viewers returning four or six or even 12 weeks in a row to see how the story ended. But most Doctor Who serials are more or less self-contained: Given some basic knowledge about the concept of the show and who was in the cast at the time, you could pick up a DVD from almost anywhere during its first couple of decades and not feel hopelessly lost, and also be assured that the story you’re watching will come to a definitive conclusion. If you want to continue on past “Brain of Morbius” or “The Mind Robber,” you can, but you don’t have to. There had been an experiment with a season-long storyline in 1978 with the six-part quest for the Key To Time, but in practice it was loosely organized enough that a viewer could drop in anytime and pick up what was happening.

Originally published Jan. 22, 2012 on avclub.com. Read the complete article.