Category: Solid Gold

Review: Minnesota Beatle Project Vol. 3

As new local traditions go, few could be better or more welcome than the Minnesota Beatle Project, now in its third year of collecting Fab Four covers to raise money for music and art education. As on previous editions, Vol. 3 is heavy on rootsy folk-rockers and indie bands, with a notable absence of hip-hop. But if the roster could’ve been more comprehensive, the album doesn’t lack for passion, joy, and listenability.

Beatles covers are tricky, since the original songs are both extremely well known and well played—it’s very hard to top John, Paul, George, and Ringo at their own game. Which is not to say that bands shouldn’t try, but it’s risky, and the most faithful covers on Vol. 3 don’t avoid the pitfalls. Pop-punkers Motion City Soundtrack deserve credit for recreating the gentle beauty of George Harrison’s “Here Comes The Sun,” but they don’t put a lot of their own stamp on it—which makes the cover pointless, because Harrison’s version isn’t exactly hard to find. The key to a great cover song is not to hit the target dead-center—that’s for tribute bands—but to make it different. One way to do that is to deliberately wrench an over-familiar song out of its original context, as Solid Gold does on a marvelously reworked version of Harrison’s “Love You To,” translating earthy, sitar-drenched psychedelia into its own icily sophisticated, synth-heavy milieu.

The rest of Vol. 3’s best songs take a simpler approach, choosing songs from the Beatles’ incredibly broad catalog that fit each band’s individual personality but allow for a little wiggle room. Cloud Cult’s version of “Help!” forefronts the pleading in John Lennon’s lyrics, highlighting Craig Minowa’s great gift of capturing emotional vulnerability in his music. Shoegaze/noise duo Red Pens find a perfect match in “Helter Skelter,” giving guitarist/vocalist Howard Hamilton a great opportunity to scream and shred. Duluth bluesman Charlie Parr’s old-school authenticity is a breath of fresh air on Paul McCartney’s “Rocky Raccoon,” and blues-punkers The 4onthefloor deliver a stomping version of “Why Don’t We Do It In The Road?” that roars with caveman-like lustiness—which is really the only sane way to approach that particular song.

Minnesota Beatle Project Vol. 3 shares its official CD-release show with Minnesota’s other great Beatle-related tradition, Curtiss A’s annual Dec. 8 John Lennon tribute at First Avenue. Bands performing include White Light Riot, Dark Dark Dark And Her Choir, and Me And My Arrow.

Originally published Dec. 5 on Read the complete article.

WordPress Themes

Spam prevention powered by Akismet