Interview: Joel Hodgson and Trace Beaulieu of Cinematic Titanic

Joel Hodgson and Trace Beaulieu may not have invented wisecracking about mediocre B-movies like Doomsday Machine and Danger On Tiki Island but, as two of the stars of cult-favorite TV series Mystery Science Theater 3000, they raised it to an art form. Though MST3K was canceled in 1999, it found new life on DVD, and in 2007 Hodgson and Beaulieu got the band back together, along with fellow founding movie-riffers Frank Conniff, J. Elvis Weinstein, and Mary Jo Pehl for the spin-off project Cinematic Titanic, which has released about a dozen new DVDs carrying on the movie-mocking tradition. The Titanic crew kicks off an extensive fall U.S. tour with three shows at Minneapolis’ Parkway Theater Sept. 15-17, tackling Doomsday Machine, War Of The Insects, and Rattlers, the latter two of which will be filmed for future live DVDs. (For more, click here.) The A.V. Club talked with Hodgson and Beaulieu about raising the Titanic, staying frosty, and the secret of Torgo’s huge thighs.

Originally published Sept. 13, 2011 on avclub.com. Read the complete article.

Review: Ladytron, Gravity the Seducer

Like a modern-day, gender-flipped answer to Roxy Music, Liverpudlian electropop quartet Ladytron has a taste for gorgeous synthesizer melodies and a romanticism that manages to be heart-on-sleeve and icily detached at the same time. (Ladytron even winked at the influence on the cover of 2003’s Softcore Jukebox, in which co-lead singers Mira Aroyo and Helen Marnie posed in swimwear in a PG-rated nod to Roxy Music’s Country Life.) Gravity The Seducer, the band’s fifth full-length and first new album in more than three years, is more atmospheric and wistful than 2008’s Velocifero, but stays well within Ladytron’s firmly established framework of chilly but hooky baroque-pop.

Given that the catchiest song here, “Ace Of Hz,” was first released on last year’s career-retrospective Best Of 00-10, the lack of a propulsive single to match earlier gems like “Destroy Everything You Touch” and “Sugar,” as well as an overabundance of instrumentals, suggests a band that’s spinning its wheels. Still, while Gravity is a bit cold to the touch, that wintry feel is also a big part of Ladytron’s charm. The group’s love songs have always embraced metaphors suggesting a lingering fear of the inability to connect emotionally, an android-like anxiety that pops up again repeatedly on Gravity, especially on the elegantly beautiful “Mirage” and “Melting Ice.” So what if they aren’t moving forward, when holding their ground sounds this good?

Originally published Sept. 13, 2011 on avclub.com. Read the complete article.